The Index Card a Day (ICAD) project challenges participants to create 61 collaged or painted index cards from June 1–July 31 annually. Learn more about ICAD here.
See other 2024 ICAD cards.
See ICAD cards from other years.
Ingrid is an American self-taught mixed media artist and art journaler living and working in Germany. This website is human-generated.
The Index Card a Day (ICAD) project challenges participants to create 61 collaged or painted index cards from June 1–July 31 annually. Learn more about ICAD here.
See other 2024 ICAD cards.
See ICAD cards from other years.
Each year, Tammy Garcia of Daisy Yellow hosts the Index Card a Day (ICAD) challenge. From June 1-July 31, you’re invited to create 61 pieces of art on index cards. There are very few rules, but if you find guidelines helpful, you can find weekly prompts and themes on Instagram and Tammy’s website. You can join in anytime!
Last year, I traveled way outside my comfort zone to explore making mini mixed media portraits. I only lasted nine days, but learned a lot! This year, I’m back to abstract mixed media, and am adding found words to create inspirational messages. Flip through the slideshow above to see the first week of cards.
Last week, I went to a dress rehearsal for Enno Poppe’s musical composition Strom. The piece sounded like an orchestra tuning its strings, or a child’s first concert: discordant, uncomfortable, and strange. (Listen to a small sample of it here.)
Poppe created the piece by stretching single intervals — the difference between a note and the one next to it — into multiple sub-intervals and having instruments playing in different tempos, all at the same time. The outcome was noise, but the process? Extremely intentional.
Doing something intentionally can be really challenging. Sure, you may think that kids’ art is simple, but have you ever tried emulating it? Or made ugly art? There is so much value in the paying attention, like pulling something apart to see how it’s made.
Sometimes, the process is the most important aspect. The outcome can be made more interesting by the process, and in fact be defined by it. And even if the outcome is a dud, often you’ll learn a lot during the process.
Today I turn another year older (and hopefully, another year wiser). I’m grateful I’ve given myself every chance to keep going, and am celebrating my softness, my childlike delight in the small things, my kindness, my creativity, my sense of humor.
A few lessons learned in my time on earth thus far:
(There’s so much more goodness to come.)
Children’s art is one of my greatest inspirations: it’s intuitive and impulsive, without the confines of “should” and “can’t”. Kids don’t have any sense of limitation, or any reason to doubt their own abilities.
Picasso famously said “Every child is an artist. The problem is how to remain an artist once he grows up.” And, in one of my favorite talks ever, Do Schools Kill Creativity?, Sir Ken Robinson spoke about the confidence of a child drawing.
Today, I encourage you to pull out some paper, or canvas, and explore like a kid. Cheap materials work well for this kind of exercise: you’ll worry less about “wasting” your supplies and focus more on experimenting.
Try picking a color — paint, pen, pencil — and making random marks on a page. Close your eyes. Use your non-dominant hand.
Step back. What color is next? What color feels like it should come next? Add that.
Step back again, and look at what you’ve made. How does it make you feel? What is missing? What materials can you experiment with? What’s next?
I find that when I create like this, I wind up with tons of messy pieces, some that I’ll toss or paint over. But often, I also end up with some very surprising and joyful works of art that I would never have discovered had I not let go and experimented.
Let go and channel your inner child: curious and unafraid of failing. And most importantly — have fun.